How to Write Engaging and Satisfying Stories

Both structure and content inform one another as a story develops. Structure consists of the storyboard of scenes that propel a story to its conclusion. it is the framework, the define, the systemfor the choices of what to gift. Content consists of actions that characters perform inside specificsettings. These area unit the events that bring life to relationships and suspense to the structure.

To build a fascinating and satisfying story, overlay a story as a super-structure. it'll act as mile-markers on a road. Below is AN example from the Caucuses consisting of 13 movements of a robust, ultimately satisfying story of arrogance and penalization. It predates the Greek legend of PrometheusUN agency scarf hearth and was bound to a rock.

While battling evil spirits in his look for a bride, his 2 brothers were killed, and Amirani tried suicide,however discovered to his dismay that he came to life. Thereafter, Amirani abandoned his look for a bride, and sceptered by the best God, he took on another large. he's enclosed by the Black Dragon. Amirani cuts the dragon's belly and comes out, then he takes on highest god himself. In response for his insolence, God corrected him in 3 stages: he fixed Amirani to a post driven deep within the earth, second, God, buried him enchained below a pass, that fashioned a cave-like dome over him; and third, for one night annually, the mountain opened to reveal Amirani suspended in air wherever an individual's tried vainly to unharness him, and also the mountain closed once more in consequence of the excessive verbalize girl.
In this example the primary movement of the story is 'While battling evil spirits in his look for a bride, his 2 brothers were killed'. The story {you area unit|you're} writing can got to reveal the evil spirits: are they dangerous cops, criminals, corrupt officers, etc? UN agency or what's the bride?-a girl, a decent career, happy life, money, etc.? UN agency area unit his 2 brothers and the way were they killed?

Filmmakers flush-out the movements of stories by photography locations and interviewing actors.they're sketching the settings and characters. For settings, I take into account mood and places accessible to American state for visits. For characters, i exploit models of individuals I knew and adapt them to emphasise a specific characteristic. to create the settings and characters additionalreal, I transfer pictures and construct collages. I provide them speech by writing a standard daywherever they're introduced to a different character.

The collages and sketches inform events and also the events area unit organized into scenes and chapters.